Empire: Total War Collection LINK
Released in 2004, Rome: Total War is set in the Roman Republic. This was the first game to encompass what would become one of the most fundamental additions to the Total War series, free map movement as opposed to earlier versions where all movement was province-based. The game also featured the first 3D map. The first expansion pack, Barbarian Invasion, was released on 27 September 2005. Rome: Total War Gold Edition, which combined the fully patched versions of the original game and its first expansion into one DVD (instead of the original game's three CD-ROMs), was released on 14 February 2006. A CD-ROM version (a total of four CDs) was also produced. A Mac version of Rome: Total War Gold Edition, developed by Feral Interactive, was released 12 February 2010. A second expansion pack, Rome: Total War: Alexander, was released on 19 June 2006. A compilation of the original game and the two expansions, Rome: Total War Anthology, was released on 16 March 2007. The series has also spawned several popular mods such as Europa Barbarorum and Rome: Total Realism each of which seeks to create more historically accurate settings. This game was also added to mobile, offering a simplified version of the original game. Rome: Total War has won many strategy gaming awards for its realistic campaign and battlefield animation and interface. Total War: Rome Remastered was released on 29 April 2021 by Feral Interactive.
Empire: Total War Collection
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Healy broadens by focusing on the everyday experience of total war of the two million ordinary citizens in the imperial capital of Vienna. Inspired by the everyday approach to history of Alf Ldtke, she deals with a broad range of subjects including women's organizations, children and schools, home-front men and paternalism, entertainment, and rumors.1 Food, which Healy calls "Vienna's new arena of politics," is at the center of the story (33). The first section of her book, entitled "Politics and representation," treats food distribution and the politics of sacrifice, as well as the state's unsuccessful attempts to persuade the population of its discourse on sacrifice through propaganda, especially the cinema and Vienna War Exhibition of 1916-1917. Like other social historians of the First World War before her, Healy rightly recognizes the important connection "between scarcity and large-scale political change" (32).2 In the second section, entitled "State and Family" and comprised of chapters on women, children, and the men left behind, Healy explores how the state used the institution of the family to mobilize the home front. Her chapters are persuasively interwoven into a narrative centering on the overarching theme of the broadening of the political arena. 041b061a72